Fichièr:Depeche Mode 1982.jpg

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Fichièr d'origina(1 233 × 800 pixèl, talha del fichièr: 120 Ko, tipe MIME: image/jpeg)

Descripcion

Descripcion
English: Depeche Mode, circa 1982 in a press kit promotional photo for their album A Broken Frame. Pictured from left to right; Martin Gore, Dave Gahan, Alan Wilder, and Andrew (Andy) Fletcher.
Data
Font eBay Archive Close-up no copyright markings visible with photo.
Image scan Image crop
Autor Distributed by Sire Records
Permission
(Reütilizacion d'aqueste fichièr)
English: No permission is required for the following reasons:
  1. A search was conducted through the U.S. Copyright Office public catalog, and there is NO record that this was subsequently registered within 5 years of publication. As such, the opportunity for copyright protection on the photo was forfeited and it entered the public domain.
  2. The source images linked above are mechanical scans of the underlying public domain work. These scans are faithful reproductions of the photograph that do not meet the threshold of originality necessary to assert a copyright interest.

English: This is a publicity still taken and publicly distributed to promote the subject or a work relating to the subject.
  • As stated by film production expert Eve Light Honathaner in The Complete Film Production Handbook (Focal Press, 2001, p. 211.):
    "Publicity photos (star headshots) have traditionally not been copyrighted. Since they are disseminated to the public, they are generally considered public domain, and therefore clearance by the studio that produced them is not necessary."
  • Nancy Wolff, in The Professional Photographer's Legal Handbook (Allworth Communications, 2007, p. 55.), notes:
    "There is a vast body of photographs, including but not limited to publicity stills, that have no notice as to who may have created them."
  • Film industry author Gerald Mast, in Film Study and the Copyright Law (1989, p. 87), writes:
    "According to the old copyright act, such production stills were not automatically copyrighted as part of the film and required separate copyrights as photographic stills. The new copyright act similarly excludes the production still from automatic copyright but gives the film's copyright owner a five-year period in which to copyright the stills. Most studios have never bothered to copyright these stills because they were happy to see them pass into the public domain, to be used by as many people in as many publications as possible."
  • Kristin Thompson, committee chairperson of the Society for Cinema and Media Studies writes in the conclusion of a 1993 conference of cinema scholars and editors[1], that:
    "[The conference] expressed the opinion that it is not necessary for authors to request permission to reproduce frame enlargements... [and] some trade presses that publish educational and scholarly film books also take the position that permission is not necessary for reproducing frame enlargements and publicity photographs."
Autras versions


Publicat jos licéncia(s)

Aquesta imatge és en el domini públic perquè és una mera reproducció mecànica o fotocòpia d'un original en domini públic, o (amb les proves disponibles) és tan similar a un document escanejat o fotocòpia que no s'hi pot aplicar protecció de drets d'autor. També és possible que els drets d'autor d'aquesta imatge hagin expirat degut a la data de publicació o a la mort de l'autor (si és possible, afegiu-la a banda). El propi contingut original es troba en domini públic per les raons següents:
Public domain
Cette œuvre est dans le domaine public car elle a été publiée aux États-Unis entre 1978 et le 1er mars 1989 sans un avis de copyright et que ce copyright n'a pas été subséquemment enregistré par l'U.S. Copyright Office dans les 5 ans. À moins que son auteur ne soit décédé depuis suffisamment longtemps, il reste "copyrighté" dans les pays ou lieux qui n'appliquent pas la règle du plus court terme pour les œuvres américaines, comme l'Allemagne (70 ans), le Canada (50 ans), la Chine continentale (50 ans ; sauf pour Hong-Kong et Macao), le Mexique (100 ans), la Suisse (70 ans), et d'autres pays avec des traités individuels. Voir cette page pour davantage d'explications.

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Aquesta etiqueta està dissenyada per usar-se quan sigui necessari afirmar que les millores (per exemple, brillantor, contrast, joc de color, nitidesa) no són de per si prou creatives per generar un nou dret d'autor. Es pot utilitzar tant quan no se sap si s'han fet millores com quan les millores són clares, però insuficients. Per a les imatges primitives sense contrast pot utilitzar-se la plantilla {{PD-old}} adequadament inserida. Per utilitzar-la, vegeu Commons:Quan utilitzar l'etiqueta PD-scan.


Nota: Aquesta etiqueta s'aplica només a imatges escanejades i fotocòpies. Per a las fotografies originals de domini públic fetes de lluny seria recomanable {{PD-Art}}. Vegeu Commons:Quan utilitzar l'etiqueta PD-Art.
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Euròpa
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Canadà Not public domain until 2033
Estats Units d'America Public domain
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Austràlia Not public domain until 2053
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Argentina Public domain
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Data e oraMiniaturaDimensionsUtilizaireComentari
actual1 març de 2023 a 00.29Miniatura per la version del 1 març de 2023 a 00.291 233×800 (120 Ko)PascalHDhq
1 març de 2023 a 00.23Miniatura per la version del 1 març de 2023 a 00.231 600×1 254 (195 Ko)PascalHDUploaded a work by Sire Records from https://www.ebay.ca/itm/325513971207 with UploadWizard

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