Pintura : Diferéncia entre lei versions

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[[Image:Chinesischer Maler von 1238 001.jpg|thumb|left|200px|Portrait of the Chinese [[Zen]] Buddhist [[Wuzhun Shifan]], painted in 1238 AD, Song Dynasty.]]
[[Image:Chinesischer Maler von 1238 001.jpg|thumb|left|200px|Portrait of the Chinese [[Zen]] Buddhist [[Wuzhun Shifan]], painted in 1238 AD, Song Dynasty.]]
Çò que permet de pénher es la percepcion e representacion de l'intensitat. Cada punt dins l'espaci a una intensitat desparièra, que se pòt representar en pénher per negre e blanc e totas las nuanças de gris entre. In practice, painters can articulate shapes by juxtaposing surfaces of different intensity; by using just color (of the same intensity) one can only represent symbolic shapes. Thus, the basic means of painting are distinct from ideological means, such as figuras [[Geometria|geometricas]], various points of view and organization (perspective) and symbols. For example, a painter perceives that a particular white wall has different intensity at each point, due to shades and reflections from nearby objects, but ideally, a white wall is still a white wall in pitch darkness. In technical drawing, thickness of line is also ideal, demarcating ideal outlines of an object within a perceptual frame different from the one used by painters.
Çò que permet de pénher es la percepcion e representacion de l'intensitat. Cada punt dins l'espaci a una intensitat desparièra, que se pòt representar en pénher per negre e blanc e totas las nuanças de gris entre. In practice, painters can articulate shapes by juxtaposing surfaces of different intensity; by using just color (of the same intensity) one can only represent symbolic shapes. Thus, the basic means of painting are distinct from ideological means, such as figuras [[Geometria|geometricas]], various points of view and organization (perspective) and symbols. For example, a painter perceives that a particular white wall has different intensity at each point, due to shades and reflections from nearby objects, but ideally, a white wall is still a white wall in pitch darkness. In technical drawing, thickness of line is also ideal, demarcating ideal outlines of an object within a perceptual frame different from the one used by painters.


==Vejatz tanben==
* [[Graffiti]]



{{Art}}
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Version del 28 setembre de 2009 a 19.40

La Mona Lisa es una de las mai conegudas pinturas artisticas de l'Occident.
Venètz de demandar una traduccion de Pintura.

Creatz (exemple detalhat) la sospagina qu'assegurarà lo seguiment del processús de traduccion en clicant sus Projècte:Traduccion/Pintura.

La significacion literala de pintura (var. pintrura) es la practica que consistís d'aplicar de colors sus una superfícia (supòrt) coma papièr, canvas, fusta, veire, laca, concrete o autre. Çaquelà, utilizat al sens artistic , lo tèrme "pintura" significa l'usatge d'aquela activitat combinada al dessenh, composicion e autres consideracions esteticas per fin d'exprimir l'intencion expressiva e conceptuala del practicant.

Vista generala

Portrait of the Chinese Zen Buddhist Wuzhun Shifan, painted in 1238 AD, Song Dynasty.

Çò que permet de pénher es la percepcion e representacion de l'intensitat. Cada punt dins l'espaci a una intensitat desparièra, que se pòt representar en pénher per negre e blanc e totas las nuanças de gris entre. In practice, painters can articulate shapes by juxtaposing surfaces of different intensity; by using just color (of the same intensity) one can only represent symbolic shapes. Thus, the basic means of painting are distinct from ideological means, such as figuras geometricas, various points of view and organization (perspective) and symbols. For example, a painter perceives that a particular white wall has different intensity at each point, due to shades and reflections from nearby objects, but ideally, a white wall is still a white wall in pitch darkness. In technical drawing, thickness of line is also ideal, demarcating ideal outlines of an object within a perceptual frame different from the one used by painters.


Vejatz tanben